Tag: Interior

Innis & Gunn Brewery Taproom Edinburgh refurbished

The Innis & Gunn Brewery Taproom at 81-83 Lothian Road is back in business after closing for a two-week refurbishment.

A spokesperson told DRAM, “The interior’s been completely re-imagined and now has a brand new layout and look inside, while the exterior was painted grey and is now green.”

The bar now boasts 26 craft taps, all Innis & Gunn core beers including fresh tank lager and a number of small batch brews.

Dougal Gunn Sharp, Innis & Gunn Founder and Master Brewer, added, “We have added more capacity to our brew school too. It’s been constantly sold out since we started offering courses two years ago and now with extra capacity we can meet the surging demand from beer fans who want to learn how to brew some classic Innis & Gunn beer styles.”

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Design Focus: Angels

Angels owners the Lisini Pub Company, founded by father Harry Hood, and now run by daughters Lisa and Siobhan and nephew Grant, have transformed their Uddingston business. Having spent in the region of £750K upgrading their existing building and adding a new single-storey glazed restaurant extension at the front of their building, as well as a two-storey side extension. This includes two bedrooms and an office space on the second floor and the creation of a larger bar-restaurant complete with a new cellar on the ground floor. The contractors were Hugh Stirling.

Angels

On the day I visited the new bar and restaurant which now also has a substantial conservatory, it was absolutely buzzing. On the grapevine, I’d also heard how much people love the new look. Marketing Director Siobhan Edwards, told me, “We have been absolutely rammed since we re-opened. It’s only been a week, but it has been full-on, and our takings are considerably up.”

This is good news for the family who took the decision to close the venue in January for the refurbishment. In the interim Lisini invested in extensive training, 70 hours for every member of staff, to ensure that when the new Angels opened the service reflected its transformation.

Says Siobhan, “We have brought the whole operation slightly more upmarket. The brief to designer Dominic Paul was to do two things. Firstly we wanted to retain our existing clientele and secondly,
we wanted to encourage the clientele we were definitely missing out on.”

She explains, “We were missing out on the the 30\40-year-old plus market or the couples market, that didn’t want to get rushed out of their dining experience when they came to Angels. We didn’t have bar space in the old dining room so once they ate there was nowhere they could move to. Our newly refurbished bar and restaurant now caters to this clientele, and since we re-opened I have seen customers here who we haven’t seen for years.”

Angels

Mind you they probably didn’t recognise the restaurant because the only thing remaining is the bar itself.The original dining area is now unrecognisable. In fact, it has been taken right back to the bare bones, and even the doors have been replaced.

Now when you turn into the bar and restaurant the room design runs left to right. A new bar area has been created on the left, and on the right, there is a completely new
build conservatory.

In the middle of the room, there is a central seating area which runs from the bar area to nearly the conservatory and this layout is mirrored on the other side. The bench seating here has houndstooth backs and toning leather-like seating in shades of cream and brown/grey. Mustard yellow seats complete the look. Along the wall, furthest from the door the mustard yellow upholstery has been used for the fixed seating which runs the length of the wall. This too has been almost mirrored on the other side, although the wall space is narrower.

Above the new wood tables are brass open-wired pendant lights with the ever so fashionable filament bulbs in place. The brass on the lights is also used on the tables in the shape of brass and glass condiments.

The entrance to the conservatory area features brass spokes with almost transparent gold curtains – there is also a large maitre d’ station – this no doubt allows the conservatory diners, should there be part a private party, some privacy, but when in operation as an extension to the restaurant it merely provides a point of difference. This conservatory has two fixed booths – perfect for parties – which are caged with the brass spokes too. This large airy space room has been beautifully designed.

The new design is subtle and classy – the colours used mustard, grey, cream and recessed lighting with blue LED’s, really add character during the day, and ambience at night.

The sound system too has been replaced. Siobhan comments, “This is my area. In the old Angels we had about six massive speakers, for the weekend crowd, but if you were sitting under one, it was daunting. Now we have four different zones – the bar area, the middle section, the conservatory and beer garden – which we control. The sound can be adjusted according to the clientele.”

The bar has been transformed and although it is the same size, length-wise, it now is open at each end. The back bar has been totally modernised and Lisini has moved from using optics to free-pour. They have also extended their drinks range and beside the bar, there are two large fitted wine fridges.

Says Siobhan, “We wanted to ramp everything up a bit. For instance, for the first time, we now have a drinks list – before we had a cocktail list and a wine list but now we have a full list and we have gone for lots of new products too from Scottish gins and vodka’s to craft beers. When the adjacent bar opens on 10th May we will also be offering our own lager, supplied by Belhaven. However, for the first time we have put in a Heineken Smart Dispense System. Our cellar is very small on this side of the building. My dad likes big cellars, but we don’t serve enough draft beer in this area to warrant it. But the new bar, on the other side of the building, also has a new cellar, which is much bigger.”

Angels

The name of the new bar has been a well kept secret, that was up until the restaurant opened, which coincided with the arrival of the new drinks menu. Says Siobhan, “We decided to name the bar Harrys Bar, after my dad, and we managed to keep it a secret right up until the drinks menu arrived. But he then spotted the name of the new bar on it.”

More on Harry’s Bar next month. But needless to say, it has been given a complete revamp and of course Harry we think is as pleased as punch.

Images are Copyright © of Dominic Paul of IBDP

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Design Focus: The Beer Kitchen

 Innis & Gunn’s flagship Beer Kitchen in Ashton Lane is a slick and stylish addition to Glasgow’s West End that, true to its namesake, has brewing at its core.

Anticipation for the venue has been fierce ever since Scotland’s second-biggest craft brewer announced plans to bring its successful bar and restaurant concept West last year.

“From day one we wanted to open in Glasgow. It’s been worth the wait and we’re so excited to be on Ashton Lane. It’s a great location and great space,” says Managing Director of Innis & Gunn Retail, David Hall, who has spearheaded the Beer Kitchen concept alongside the company’s Founder Master Brewer, Dougal Sharp.

Beer Kitchen

The huge brewpub/restaurant, which opened last month, has appeal to beer aficionados and novices alike. With a total capacity of 396, it spans 6,000 square feet across three floors in the former home of Ketchup and its upstairs neighbour The Research Club. The brewer is leasing the building from Stefan King’s G1 Group, but has full control over operations.

A £600K revamp of the site by Edinburgh architect firm Morgan McDonnell, who also worked on the Innis & Gunn Beer Kitchens in Edinburgh, Dundee and St Andrews, began in January and took three months.

Entering from the popular cobbled lane, customers can turn right into the ground floor bar or head left upstairs to the restaurant and Attic Bar. In the bar, it’s clear that brewing literally lies at the heart of this venture. Glasgow’s Beer Kitchen is the first to have an onsite microbrewery and the gleaming stainless steel brew kit sits proudly in the far corner of the ground floor, just metres across from the bar where the end product is served. Customers can even grab a table right beside it to watch head brewer Digger Robinson at work.

Beer Kitchen

Opposite the microbrewery is a corner display “cellar” encased in thick glass panels decorated with artwork by Edinburgh graphic design agency Contagious, who have also redesigned the Beer Kitchen branding.

Guy Morgan, co-director of Morgan McDonnell, led the Beer Kitchen’s design and build. He said the idea was to be “upfront and honest” about the whole brewing process and to make it as open and visual as possible “to highlight the freshness of the beer and allow people to see that process happen.”

A long, grey and metal bar runs along the back right-hand wall. It’s topped with burnished zinc and fronted with textured cement screed. The back bar boasts 17 metal keg taps and three cask taps set beneath a chalkboard sign detailing what’s on offer. Built-in beer fridges display over 50 types of craft beers and cider while rows of mirror and glass shelves boast a select range of spirits.

Beer Kitchen

At the end of the bar sit three 2.5-hectolitre black and silver beer tanks which deliver fresh pints of unpasteurised, rotating special edition and one-off brews made in the microbrewery. This beer goes straight to tap in seconds through a pipe above the bar. A tall U-shape stainless steel “beer infuser” which sits on the bar top shows beer from the tanks being funnelled through ingredients like fresh watermelon for another unique brew, one of many that can be sampled at a nearby tasting table.

While this area has an industrial feel, a simple colour scheme and natural materials create softness, comfort and warmth. There are seven booths in various sizes upholstered in natural tan leather which stand out against the white Osmo oiled vertical timber pallet walls, light oak tables and oak flooring. This combination is used throughout the bar and first-floor restaurant and creates a look Morgan describes as “a Scandi-Scottish hybrid.”

He adds, “We really wanted to push the idea of comfort and went with natural leather and colours because we wanted it to be quite tactile and have a natural feel and colour that is offset against the wood and metal.”

There’s also a nod to the city itself thanks to Glasgow-based artist David Galletly, who has created intricate cityscapes for every Beer Kitchen. His red and black line drawings of Glasgow’s iconic skyline and famous sites are split across multiple black frames and hung in clusters throughout the bar and restaurant. Meanwhile, Contagious have covered the walls of the stairc
ase leading to the upper floors with funky beer-inspired images
and slogans.

Beer Kitchen

A 60-cover restaurant offering casual dining that’s “all about the flavour” awaits customers on the first floor. The design echoes the ground floor by using the same materials and furniture. A smaller replica of the bar runs along the left wall to an open kitchen. Hall points out, “downstairs the theatre is the brewery so here that theatre is the open kitchen, which equally creates a bit of atmosphere and interest.”

The original brick walls have been restored and left exposed around the black window frames on either side of the room. Running the length of the far wall is a row of booth seating above which hangs another intricate Glasgow skyline by Galletly. A chalkboard wall beside the entrance lists daily specials and sums up the concept: “Food & Beer: the Perfect Pairing”.

Head upstairs and the design shifts to a speakeasy-style Attic Bar – a late night venue that will also host live music and private functions. Apart from the toilets, which were completely refitted, Morgan says it was a case of enhancing what was already there. Some existing elements of the loft space remain, including the magnificent wood triangular bar which will serve Innis & Gunn “hoptails” and two craft beer fridges have been installed at
the back wall.

The windows have new wood shutters whilst the natural brown tones of the colour scheme provide a subtle contrast to the muted greys of downstairs. Reclaimed tables, chairs and barstools reupholstered in three kinds of leather are set around the bar, along with some vintage pieces including a rocking chair, cabinet and TV. Two wooden cherubs flank the bar,and point up to a new hanging metal shelf installed beside the impressive wooden beamed skylight to show off Innis & Gunn products, including the recently launched Kith & Kin Stout.

Glasgow’s behemoth Beer Kitchen was made possible due to a crowdfunding project which raised £2.5m for the company last year, and is fuelling a thirst for more openings in the UK and overseas markets.

With its flagship Beer Kitchen offering unique and experimental beers on a regular basis, Innis & Gunn has become an exciting new player in Glasgow’s craft beer and bar scene and is living up to its motto which loudly and proudly meets guests as they step inside: “Born by unique discovery”.

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